Drama Tuesday - Drama education shape shifting
/Reflection from the Drama Australia National Conference June 2-3 2023.
Drama is a shape shifter. Not quite in the dictionary meanings but in the sense that in drama when we take on role, we shift into the role.
I was struck by thinking about this during the Drama Australia conference over the weekend. It’s not necessarily a new thought but one to explore in this moment.
Drama teachers are adept share shifters.
When the drums of literacy beat, drama teaching shifts focus to bring to the foreground how drama supports language learning and use. When there is a focus on life skills, we assert the role of drama in building confidence. Drama claims a space in STEAM education with slick speediness. We hear calls for arts integration as the solution to the crowded curriculum and drama as a method. Feminist concerns remind us of the power of drama in raising issues. Similarly, as the currency of indigenous or First Nations inclusion increases, we need the reminders of the value of drama in that field.
That is not to say argue against a need for greater diversity in drama education.
Maybe this is a mechanism for coping with a search for reassuring relevance. Maybe it’s also politically savvy. In all of this soft shoe shuffling however, it is important to never lose sight of what drama is fundamentally and why it is a necessary part of a complete education. We need to remind ourselves that as each competing priority rings its bell, drama education is not just a vehicle for the topical or the passing educational pinup. We need to be alive to how the dominating voices are swamping or taking up all the available oxygen for arts education. We need to be true to the fundamental nature and purpose of drama education. In a world twisting and shaping itself to meet shifting educational fads, we need to plant our feet on the stage and deliver our lines with firmness.
Drama is wily. Drama is clever. Drama is political and social and cultural. Drama is all these things and we in drama education have learnt the lesson well. But drama education needs to be true to its purpose.
I know these can be seen as controversial thoughts. It’s not my intention to upset applecarts or to disrupt the parade. But sometimes these rebellious thoughts need a place in the conversation.
What do you think?